June 15th, 2017 · 109 minutes
In this wraparound episode, your hosts kick off with follow-up on Arrival (no spoilers) and why John gets sad when people don’t listen to the program. Merlin has questions about YouTube influences and quickly forgets John is on The Incomparable.
Do dogs like NPR, and how would we even know? Can you please turn the TV off, please? George is getting angry!
John’s bird seems to be moving further away, and no wrist rockets have been acquired. A strict edict on choosing an internet handle is mutually ratified, and John addresses WWDC as-a-thing. (You should have called in during the PIXAR episode.)
The main topic this week is Housework and House Duties, which John quickly persuades Merlin is, indeed, a trap. One-hundred percent fraught. What do you do around the house, what are you good at, and what do you like or dislike? John wants a pie graph and then receives one in real time.
John’s kid transport duties thread a needle, Merlin is awesome at drawing a bath, and both hosts obsess over the heat and timeliness of their meals. John laments water management, Merlin enjoys wearing headphones, and John sleepily struggles with the morning sandwich detail.
Anyway. Please remember to like and subscribe.
(Recorded on Tuesday, May 29, 2017.)
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Wraparound, in video games, is a gameplay variation on the single-screen in which space is finite but unbounded
"Examining how Arrival was adapted from the short story it was based on, how clever editing kept the focus on the protagonist, and why good science fiction is really a study of humanity."
"Later, you'll find The Spoiler Slot filled with a spoiler-heavy discussion of the 2016 movie, Arrival. If you haven’t seen the film yet, be sure to bail out before the spoiler horn is deployed at (1:13:13). [Watch it. It’s good.]"
Examining the elements of suspense that Quentin Tarantino put to use in the opening scene of Inglourious Basterds.
We take a deep dive into Francis Ford Coppola’s “The Godfather Part II”, which is really two movies in one. Robert De Niro stars as young Vito Corleone, who comes to America and learns how to become The Godfather. And Al Pacino stars as Michael Corleone, trying to live up to the standard set by his father in the first film. In this episode we talk about its overarching themes, the two-timeframe approach, and the first portion of the film itself, including a visit to pre-revolution Cuba and Lee Strasberg as a grumpy old man who really wants you to look at his cake.
[Part One of Two.]
"Pasta should be served in warm bowls."
"Host Jeff Goldsmith interviews screenwriter Eric Heisserer about Arrival."
We watch the dog grief porn A Dog’s Purpose. Meanwhile Dan gets to the bottom of a Lassie mystery, Stuart gives us a hall pass, and Elliott masturbates to rhymes. Apologies for the audio that makes it sound like Stuart is in the other room. We have no idea how that happened.