As a follow-up to our last episode, we talk about some contemporary Indigenous artists, including Carl Beam and Dyani White Hawk.
We dive into a (very) brief history of Indigenous people in the United States and Canada in order to place contemporary Indigenous artists in context.
Quinn loves to talk about art that can be sent through the mail, and Betty has seen an exhibit about this at the Art Gallery of Ontario, so this just might be the quintessential Pictorial topic. We also look at some major markers in the history of mail as an art movement.
Betty and Quinn talk about the goals of museum architecture and share their favorite examples of creative buildings.
What do art museums look like during COVID-19? Quinn and Betty discuss their recent visits to art museums in their respective cities, the new safety measures in place, and some general tips on how to engage with art.
In the conclusion to a two-part series, Betty and Quinn look into the curator Chaédria LaBouvier and the racism she experienced at the Guggenheim.
In 2019, Chaédria LaBouvier curated the exhibit "Basquiat’s “Defacement”: The Untold Story" at the Guggenheim, centered around Basquiat's response to the 1983 murder of Michael Stewart. In part one of a two-part series, Quinn and Betty focus on Basquiat's work and how his art was presented in the exhibit.
Betty and Quinn dive into the Canadian art icon William Kurelek: his upbringing in a Ukrainian immigrant family, the mental illness that affected his life and art, and why he represents a part of Canada.
Ponders from the Accession podcast joins Quinn and Betty to talk all things art and design in Animal Crossing: Redd, the museum, custom clothes, and why we love this pastel world so much. Quinn shares some design short-cuts, Ponders explains the hopeful metaphor they've found in the game, and Betty is thoroughly convinced she needs to buy a Switch.
Powerful art museums are full of art and artifacts stolen from all over the world. Betty and Quinn examine some of the most famous stolen pieces of art that reside in the British Museum, looking at how they were looted and why the British Museum continues to hold them despite calls for repatriation.